The Whole Art of Marbling as Applied to Paper, Book Edges, etc. — Charles W. Woolnough, 1881

The Whole Art of Marbling as Applied to Paper, Book Edges, etc., Charles W. Woolnough

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Rights

Credit: Purchased with income from the Jacob S. Rogers Fund
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 591856 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/591856

Within fifty years of 1881

3941

Staffa, Fingal's Cave, Joseph Mallord William Turner — Staffa, Fingal's CaveJoseph Mallord William Turnerexhibited 1832Yale Center for British Art

Sampler, Unknown — SamplerUnknown1831Cooper Hewitt, Smithsonian Design Museum

Plate, from a Dessert Service, Sèvres Porcelain Manufactory, French, established 1756 — Plate, from a Dessert ServiceSèvres Porcelain Manufactory, French, established 17561831Cooper Hewitt, Smithsonian Design Museum

Notebook cover, Unknown — Notebook coverUnknown1831Cooper Hewitt, Smithsonian Design Museum

Design for a Triumphal Arch in Honor of the Polish General Skrzynecki, Josef Georg Kornhäusel, Austrian, 1782 - 1860 — Design for a Triumphal Arch in Honor of the Polish General SkrzyneckiJosef Georg Kornhäusel, Austrian, 1782 - 18601831Cooper Hewitt, Smithsonian Design Museum

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

517

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

3 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.83

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.83

Trophy Design, P. Moithey, French, active 18th century — Trophy DesignP. Moithey, French, active 18th centurymid- 18th–late 18th centuryCooper Hewitt, Smithsonian Design Museum

0.83

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Made in the nineteenth century, like The Whole Art of Marbling as Applied to Paper, Book Edges, etc..

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