Collection Julien Gréau: verrerie antique, emaillerie et poterie appartenent à M. J. Pierpont Morgan, Wilhelm Froehner

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Rights

Credit
The Collection of Books on Classical Archaeology Bequeathed by Edward Robinson to The Metropolitan Museum of Art MCMXXXI for Use in the Classical Department.
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 591851 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/591851
Collection Julien Gréau: verrerie antique, emaillerie et poterie appartenent à M. J. Pierpont Morgan, Wilhelm Froehner
Collection Julien Gréau: verrerie antique, emaillerie et poterie appartenent à M. J. Pierpont Morgan — Wilhelm Froehner1903

Within fifty years of 1903

3497
The Strange Occurrence of Ukiyo Matahei and his Famous Paintings, Utagawa Kuniyoshi (Japanese, 1797–1861)
The Strange Occurrence of Ukiyo Matahei and his Famous PaintingsUtagawa Kuniyoshi (Japanese, 1797–1861)1853Cleveland Museum of Art
Charon and the Souls of the Dead, Jean-Baptiste Carpeaux (French, 1827–1875)
Charon and the Souls of the DeadJean-Baptiste Carpeaux (French, 1827–1875)c. 1858Cleveland Museum of Art
Interior with a Curtained Bed Alcove, Unknown, Austrian
Interior with a Curtained Bed AlcoveUnknown, Austrianca. 1853Cooper Hewitt, Smithsonian Design Museum
Design for a Bourgeois Biedermeier Interior, R. Haes
Design for a Bourgeois Biedermeier InteriorR. Haes1853–58Cooper Hewitt, Smithsonian Design Museum
Sketches of Trees, Ecuador, Frederic Edwin Church, American, 1826–1900
Sketches of Trees, EcuadorFrederic Edwin Church, American, 1826–19001853 or 1857Cooper Hewitt, Smithsonian Design Museum
Botanical and Meteorological Sketches from the Río Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900
Botanical and Meteorological Sketches from the Río Magdalena, ColombiaFrederic Edwin Church, American, 1826–1900May 1853Cooper Hewitt, Smithsonian Design Museum
Llamas near Chimborazo, Ecuador, Frederic Edwin Church, American, 1826–1900
Llamas near Chimborazo, EcuadorFrederic Edwin Church, American, 1826–1900September 1853Cooper Hewitt, Smithsonian Design Museum
Purese Volcano seen from Popayan, Colombia, Frederic Edwin Church, American, 1826–1900
Purese Volcano seen from Popayan, ColombiaFrederic Edwin Church, American, 1826–1900August 9, 1853Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

564
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

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