[Boys Playing Leap Frog] — Eadweard Muybridge, 1883–86, printed 1887

[Boys Playing Leap Frog], Eadweard Muybridge

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Boys, Playing

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Credit: Gift of the Philadelphia Commercial Museum, 1938
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 268638 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/268638

Also by Eadweard Muybridge

6

Attitudes of Animals in Motion, Eadweard Muybridge — Attitudes of Animals in MotionEadweard Muybridge1879, printed 1881Metropolitan Museum of Art, New York, NY

Animal Locomotion, Plate 758, Eadweard Muybridge — Animal Locomotion, Plate 758Eadweard Muybridge1887The Art Institute of Chicago

Animal Locomotion, Plate 535, Eadweard Muybridge — Animal Locomotion, Plate 535Eadweard Muybridge1887The Art Institute of Chicago

Animal Locomotion, Plate 319, Eadweard Muybridge — Animal Locomotion, Plate 319Eadweard Muybridge1887The Art Institute of Chicago

Animal Locomotion, Plate 174, Eadweard Muybridge — Animal Locomotion, Plate 174Eadweard Muybridge1887The Art Institute of Chicago

Animal Locomotion, Plate 469, Eadweard Muybridge — Animal Locomotion, Plate 469Eadweard Muybridge1887The Art Institute of Chicago

Within fifty years of 1883–86, printed 1887

3923

Driving Rain at Shōno, from Fifty-Three Stations of the Tokaidō, Utagawa Hiroshige (Japanese, 1797–1858) — Driving Rain at Shōno, from Fifty-Three Stations of the TokaidōUtagawa Hiroshige (Japanese, 1797–1858)1833Cleveland Museum of Art

Night Rain at Karasaki, from Eight Views of Ōmi, Utagawa Hiroshige (Japanese, 1797–1858) — Night Rain at Karasaki, from Eight Views of ŌmiUtagawa Hiroshige (Japanese, 1797–1858)c. 1835Cleveland Museum of Art

Coverlet, United States, New York, Ontario County, Gorham — CoverletUnited States, New York, Ontario County, Gorham1833The Art Institute of Chicago

Old Farmhouses, Eugène Edouard Soulès, French, 1811–1876 — Old FarmhousesEugène Edouard Soulès, French, 1811–18761833Cooper Hewitt, Smithsonian Design Museum

Study from Nature, Thomas Doughty, American, 1793–1856 — Study from NatureThomas Doughty, American, 1793–18561833Cooper Hewitt, Smithsonian Design Museum

Dish, from a Dessert Service, Spode Ceramic Works, English, established 1776 — Dish, from a Dessert ServiceSpode Ceramic Works, English, established 17761833–1847Cooper Hewitt, Smithsonian Design Museum

Dish, from a Dessert Service, Spode Ceramic Works, English, established 1776 — Dish, from a Dessert ServiceSpode Ceramic Works, English, established 17761833–1847Cooper Hewitt, Smithsonian Design Museum

Dish, from a Dessert Service, Spode Ceramic Works, English, established 1776 — Dish, from a Dessert ServiceSpode Ceramic Works, English, established 17761833–1847Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

519

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

3 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Animal Locomotion, Plate 174, Eadweard Muybridge — Animal Locomotion, Plate 174Eadweard Muybridge1887The Art Institute of Chicago

0.88

Animal Locomotion, Plate 319, Eadweard Muybridge — Animal Locomotion, Plate 319Eadweard Muybridge1887The Art Institute of Chicago

0.87

Animal Locomotion, Plate 469, Eadweard Muybridge — Animal Locomotion, Plate 469Eadweard Muybridge1887The Art Institute of Chicago

0.86

Next

Made in the nineteenth century, like [Boys Playing Leap Frog].

The Annunciation1887
Final Study for "Bathers at Asnières"1883
Beatrice d'Este1883
"Swan House" Carpet1883

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