Washerwomen Descending a Quai Staircase, Alexandre Lunois (French, 1863–1916); Honoré Daumier (French, 1808–1879)

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Rights

Credit
Carole W. and Charles B. Rosenblatt Endowment Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 441006 (read 2026-09-01)
Record
https://clevelandart.org/art/2021.141
Washerwomen Descending a Quai Staircase, Alexandre Lunois (French, 1863–1916); Honoré Daumier (French, 1808–1879)
Washerwomen Descending a Quai Staircase — Alexandre Lunois (French, 1863–1916); Honoré Daumier (French, 1808–1879)1888

Within fifty years of 1888

3914
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Also at Cleveland Museum of Art

383
Relief of Nyankhnesut Seated, Unknown
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Relief of Hatshepsut or Tuthmosis III, Unknown
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Talatat: Nefertiti Offers to the Aten, Unknown
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Similar picturesFound by visual likeness

1 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Giant Wheel, plate 9 from Imaginary Prisons, Giovanni Battista Piranesi
The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago
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In the stacks

Not yet checked1

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  1. The international studio · John Lane

    at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
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Made in the nineteenth century, like Washerwomen Descending a Quai Staircase.

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