The Marsh Flower, a Sad Human Head — Odilon Redon (French, 1840–1916); Lemercier & Cie., 1885

The Marsh Flower, a Sad Human Head, Odilon Redon (French, 1840–1916); Lemercier & Cie.

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Rights

Credit: Gift of The Print Club of Cleveland
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 109192 (read 2026-08-27)
Record: https://clevelandart.org/art/1927.344.2

Also by Odilon Redon (French, 1840–1916); Lemercier & Cie.

1

Homage to Goya, Odilon Redon (French, 1840–1916); Lemercier & Cie. — Homage to GoyaOdilon Redon (French, 1840–1916); Lemercier & Cie.1885Cleveland Museum of Art

Within fifty years of 1885

3907

Belshazzar's Feast, from Illustrations of the Bible, John Martin — Belshazzar's Feast, from Illustrations of the BibleJohn Martin1835The Art Institute of Chicago

Fall of Nineveh, from Illustrations of the Bible, John Martin — Fall of Nineveh, from Illustrations of the BibleJohn Martin1835The Art Institute of Chicago

Equestrienne in Renaissance Dress, Antoine Louis Barye — Equestrienne in Renaissance DressAntoine Louis Baryec. 1840The Art Institute of Chicago

Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the Nurse, Katsushika Hokusai (Japanese, 1760–1849) — Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the NurseKatsushika Hokusai (Japanese, 1760–1849)1835–36Cleveland Museum of Art

An Insect Ball, Jean-Jacques Grandville (French, 1803–1847) — An Insect BallJean-Jacques Grandville (French, 1803–1847)1835Cleveland Museum of Art

The Gothic Arch, Giovanni Battista Piranesi, Italian, 1720–1778 — The Gothic ArchGiovanni Battista Piranesi, Italian, 1720–17781835-1839Cooper Hewitt, Smithsonian Design Museum

Castle Garden, Unknown — Castle GardenUnknownca. 1835Cooper Hewitt, Smithsonian Design Museum

Mechanical Pencil, Thomas Addison, American, 1795 – 1854 — Mechanical PencilThomas Addison, American, 1795 – 18541835–1850Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

383

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Une femme revêtue du Soleil (A woman clothed with the sun), Odilon Redon — Une femme revêtue du Soleil (A woman clothed with the sun)Odilon Redon1899National Gallery of Art

0.87

Guardian Spirit of the Waters, Odilon Redon — Guardian Spirit of the WatersOdilon Redon1878The Art Institute of Chicago

0.87

Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou es la b ete et le faux prophete (And the devil thatdeceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are), Odilon Redon — Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou es la b ete et le faux prophete (And the devil thatdeceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are)Odilon Redon1899National Gallery of Art

0.86

Strange Flower (Little Sister of the Poor), Odilon Redon — Strange Flower (Little Sister of the Poor)Odilon Redon1880The Art Institute of Chicago

0.84

Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante (And another angel came out of the temple which is in heaven, and he also having a sharp sickle), Odilon Redon — Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante (And another angel came out of the temple which is in heaven, and he also having a sharp sickle)Odilon Redon1899National Gallery of Art

0.84

Et il avait dans sa main droit sept etoiles, et de sa bouch sortait une epee aigue a deux tranchants (And he had in his right hand seven stars; and out of his mouth went a sharp two-edged sword), Odilon Redon — Et il avait dans sa main droit sept etoiles, et de sa bouch sortait une epee aigue a deux tranchants (And he had in his right hand seven stars; and out of his mouth went a sharp two-edged sword)Odilon Redon1899National Gallery of Art

0.84

Taking a Bow, plate eight from Yvette Guilbert, Henri de Toulouse-Lautrec — Taking a Bow, plate eight from Yvette GuilbertHenri de Toulouse-Lautrec1898, printed 1930The Art Institute of Chicago

0.84

Et il tombe du ciel une grande etoile ardente (And there fell a great star from heaven burning as it were a lamp), Odilon Redon — Et il tombe du ciel une grande etoile ardente (And there fell a great star from heaven burning as it were a lamp)Odilon Redon1899National Gallery of Art

0.83

Next

Made in the nineteenth century, like The Marsh Flower, a Sad Human Head.

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