The Illustrated Poster
ART 220 · Digital Illustration · Session 08
Workhorse Collective
NameAbraham GarciaEmailabe@wrkhrs.co
ART 220 · Fall 2026
MeetsTue + Thu, 12:30 to 3:20TodaySession 08 · 09.17.2026
meaninglayer.com/course/digital-illustration
Session 08
Today you turn in Project 1 and start Project 2, an illustrated poster.
01 · Turn in Project 1
No group critique today. Check your files against the list, fix anything missing, and upload. Blackboard closes at 1:30.
02 · Project 2
What you are making, the thirteen subjects to pick from, the dates, and what to buy.
03 · Posters to look at
Four ways poster artists handle words, from the 1890s to right now.
04 · On paper
Sort some posters, then pick your subject and try its words three ways.
Project 1 · upload closes at 1:30
Turn in one Illustrator file and one sentence on Blackboard.
The templatep1-hand-in.svg, on the class page
Open it in Illustrator. Select the rectangles on the Artboards layer, then Object, Artboards, Convert to Artboards. Save as lastname-p1.ai.
Artboards 1 to 3hero and two spots
Paste your hero and spots in at run size. Layers named, global swatches, no stray points.
Artboards 4 and 5proof and thumbnails
Fill the proof frames with copies of your art. Place photos of your thumbnail sheets. Artboard 6 is an optional layout check.
One sentencetype it in the submission box
What does your article argue, and how does your hero image show it?
FIX ANYTHING MISSING NOW. THE UPLOAD CLOSES AT 1:30, THEN WE START PROJECT 2.
Project 2
AN ILLUSTRATED POSTER, DRAWN ON PAPER AND SET UP FOR SCREENPRINT. DUE THURSDAY, OCT 15, AFTER FALL BREAK.
Project 2 · 15% of your grade · four weeks with Fall Break
Make one 18 by 24 poster for a real Charleston event, or a recent film or book.
Project 2 · pick one
Thirteen subjects. The exhibitions and festivals are real.
Exhibitionson in Charleston now
Rodin: All the Truth of Nature, Gibbes · Fighting for Freedom: Black Craftspeople and the Pursuit of Independence, Gibbes, opens Oct 16 · GROUNDED IN GRAIN, WASHED IN THE WATER, Halsey Institute · middle of somewhere, International African American Museum, on view now
Festivalscoming up
Charleston Literary Festival, Nov 6 to 15 · Southeastern Wildlife Exposition, Feb 12 to 14 · Charleston Wine + Food, Mar 3 to 7
Films and booksrecent
Past Lives, 2023 · Everything Everywhere All at Once, 2022 · Sinners, 2025 · Demon Copperhead, 2022 · James, 2024 · Klara and the Sun, 2021
The wordsin order of size
Events: the title, the venue, the dates, the website. Films and books: the title, the director or author and year, then Tuesdays at 7 PM · Library Room 110 · Free and open to everyone.
One ruleno peeking
Do not look at the official poster or book cover until your thumbnails are done. Another subject works too. Bring it Tuesday.
ALL THIRTEEN ARE ON THE PROJECTS PAGE. CHECK THE DATES ON THE VENUE'S OWN SITE.
Project 2 · the requirements
What the poster has to be.
Size18 by 24 inches, tall
Draw the picture on paper that is 9 by 12 inches or bigger. That is the same shape as the poster, at half size.
Wordsdrawn, set, or small
Pick one way and plan it from your first thumbnail. Set type means one font family. The small print can always be typed.
Scan600 ppi for a 9 by 12 drawing
The final file is 18 by 24 inches at 300 ppi. A half-size drawing is scanned at double the resolution. We cover this Tuesday.
Colorthree colors, plus your line
Any software. Color under a scanned line in Photoshop, or trace the drawing to vector in Illustrator. The words use the same three colors.
Screenprintseparated and ready for screens
Every color, the line included, sits on its own layer in solid black, with registration marks. Full color is allowed if you prepare it for process printing. We cover both.
Two testsacross the room, and on a phone
It has to catch someone's eye from across a room. It also has to make sense as a small image on a phone.
THE FULL ASSIGNMENT IS ON THE CLASS SITE UNDER PROJECTS.
Project 2 · set up for screenprint
A screenprint is one stencil per color, printed one on top of the next.
Separationsone layer per color
Each color becomes its own layer, filled solid black wherever that ink goes. Black means ink. The printer turns each layer into a film, and each film into a screen.
Registrationmarks on every layer
Put the same small crosshairs in the same spot on every layer, outside the art. They line the screens up so the colors land where you drew them.
Trapa little overlap
Let a color run slightly under its neighbor, about a sixteenth of an inch. Paper never lines up perfectly, and the overlap hides the gap.
Tintshalftone dots
A screen prints ink or no ink. A lighter tone of one color is made of dots. Photoshop can turn a gray layer into halftone for you.
Full colorprepared for process
Full color prints as four screens, cyan, magenta, yellow and black, each one halftoned. Or pull your art back to a few flat colors. We try both on your file.
WE WILL TRY TO GET INTO A LETTERPRESS SHOP TO PRINT THESE. IT MAY NOT HAPPEN. YOUR FILE IS READY EITHER WAY.
Lettering, typography, calligraphy
Three ways to put words on a poster, and all three are allowed.
Typographychoosing a font
Letters someone already designed. You pick the font, the size and the spacing. The skill is choosing and arranging.
Letteringdrawing the letters
Letters drawn for this one piece, so they can bend, fill and decorate to fit the picture. You sketch, trace and redraw them like any other drawing.
Calligraphywriting the letters
Letters written with a pen or brush, one stroke at a time. The tool does much of the shaping.
Reada short article
Dribbble on hand lettering as a job, with ten working letterers: dribbble.com/resources/career/freelance-hand-lettering
LETTERING IS AN OPTION ON THIS POSTER. A WELL SET FONT CAN EARN THE SAME GRADE.
Lettering as a job · look these up
People who letter for a living right now.
Jessica Hischeoakland
Books, brands and stamps, every word sketched on paper first. jessicahische.is
Mary Kate McDevittvermont
Lettering with pictures built in, for Target and Chronicle Books. dribbble.com/MaryKateMcD
Lori Johnstonshower thoughts
Funny, relatable lettering you can read in a second. dribbble.com/shots/5101245
Jessica Molinadallas
Big, bold letters for brands. dribbble.com/seejessletter
Carmi Grauprocreate
Symmetry and plants woven through the letters. dribbble.com/CarmiGrau
Flora de Carvalhosão paulo
Lettering made from music, at Estudio Passeio. dribbble.com/floradecarvalho
FROM THE DRIBBBLE ARTICLE. EVERY LINK WORKS IN THE PDF ON THE CLASS PAGE.
Posters to look at
Every poster has to solve the same problem: how do the words and the picture share one sheet.
01 · Illustration and lettering together
THE LETTERS ARE MADE WITH THE BRUSH OR PEN THAT MADE THE PICTURE.
HENRI DE TOULOUSE-LAUTREC
PARIS · 1890s
PARIS · 1890s
Illustration and lettering together
He drew the letters with the same brush as the figure
Lautrec drew these straight onto the printing stone, picture and words together. On screen: Ambassadeurs: Aristide Bruant dans son cabaret, 1892. Jane Avril, Jardin de Paris, 1893. commons.wikimedia.org
Compare the thickness of the letters to the thickness of his outlines. They match. That is why the words look like they belong.
EDWARD PENFIELD
NEW YORK · 1890s
NEW YORK · 1890s
Illustration and lettering together
Big plain letters in the sky above the figure
Penfield made a new poster for Harper's every month. The name and the month are large, plain black letters in the open space above a flat, outlined figure. On screen: Harper's, June, 1896. commons.wikimedia.org
Plain letters can still be drawn. They do not need to be fancy to belong to the picture.
MAX PECHSTEIN
BERLIN · 1919
BERLIN · 1919
Illustration and lettering together
Words brushed in the same loose strokes as the figure
Pechstein painted the headline with the same rough brush and the same three colors as the kneeling figure. On screen: Die National-Versammlung der Grundstein der Deutschen Sozialistischen Republik, 1919. commons.wikimedia.org
The edge of your letters should match the edge of your drawing. A ruler-straight title on a scratchy drawing looks pasted on.
AKIKO STEHRENBERGER
LOS ANGELES · WORKING NOW
LOS ANGELES · WORKING NOW
Illustration and lettering together
One film poster maker who uses every way of handling words
She paints or draws every poster, and changes how the words work film by film: brushed on Get Out, the O as the saucer on Nope, set on a sign in John Lewis, quiet type under Her. On screen: Colossal (film poster). Get Out, 2017. Us, 2019. Nope, 2022. Her, 2013. Breathless (rerelease). John Lewis: Good Trouble, 2020. Anatomy of a Fall, 2023. akikomatic.com
Page through all eight and name the way each one handles its words. Then notice every one has one idea, not a likeness of the star.
LANDLAND
MINNEAPOLIS · WORKING NOW
MINNEAPOLIS · WORKING NOW
Illustration and lettering together
Painted and drawn posters for bands and films
Dan Black and Jessica Seamans draw, paint and print their posters. On the tour poster, the band name and every date are handwritten across the water. On screen: The Wicker Man (film poster, Dark City Gallery). Mount Eerie, Night Palace Tour 2025. landland.bigcartel.com
That poster holds a lot of text, all by hand, and it still feels calm. Small lettering can be drawn too.
GEMMA O'BRIEN
SYDNEY · WORKING NOW
SYDNEY · WORKING NOW
Illustration and lettering together
Brush and marker lettering, from posters up to murals
O'Brien letters with brushes and markers, fast, and keeps the marks the tool leaves. On screen: JOY mural. Thank You Essential Workers (Times Square), 2020. gemmaobrien.com
A brush pen from the supplies list is enough to try this.
02 · Cut, carved and printed
THE PRINTING METHOD SHAPES THE LETTERS: SCISSORS, KNIVES, STENCILS.
THE BEGGARSTAFFS
LONDON · 1890s
LONDON · 1890s
Cut, carved and printed
Cut paper, flat shapes, blunt letters
Two painters, William Nicholson and James Pryde, cut their posters out of colored paper. The letters are as plain and heavy as the figures. On screen: Hamlet, 1894. Harper's Magazine, 1895. commons.wikimedia.org
Very few shapes and very few colors. Your brief has the same limit: three colors plus the line.
WPA FEDERAL ART PROJECT
UNITED STATES · 1936 TO 1943
UNITED STATES · 1936 TO 1943
Cut, carved and printed
Government posters for parks, zoos and libraries
Screenprinted by hand in a few flat colors. Each color was its own stencil, so the letters were cut along with the picture. On screen: See America: Welcome to Montana, 1937. Visit the Brookfield Zoo, 1936. John is not really dull - he may only need his eyes examined, 1937. loc.gov/collections/works-progress-administration-posters
These are free to use, and the Library of Congress has about 900 of them online at full size. It is the best free archive for this project.
HENRYK TOMASZEWSKI
WARSAW · POLISH POSTER SCHOOL
WARSAW · POLISH POSTER SCHOOL
Cut, carved and printed
Cut paper and a pen where you would expect type
For a Henry Moore sculpture show he cut the letters out of paper and stood a sculpture on the name. The New Year card is written with one pen. On screen: Moore. Wystawa rzezb Henry Moore'a, 1959. Najlepsze zyczenia noworoczne, 1959. commons.wikimedia.org
Polish poster artists were expected to give their own take on the subject. That is the Concept grade in your brief.
SAUL BASS
LOS ANGELES · 1959
LOS ANGELES · 1959
Cut, carved and printed
Cut paper, and a title cut with the same scissors
Bass boiled a film down to one symbol. He cut the title by hand, so it has the same rough edge as the body. On screen: Anatomy of a Murder, 1959. commons.wikimedia.org
Try to describe your poster's image in five words. If you cannot, simplify it.
JAY RYAN · THE BIRD MACHINE
CHICAGO · WORKING NOW
CHICAGO · WORKING NOW
Cut, carved and printed
Screenprinted concert posters, every letter drawn
Ryan has drawn, lettered and printed concert posters by hand since the 1990s. The band name wobbles the same way the animals do. On screen: The Breeders with Team Dresch, Woodland Park Zoo, Seattle, Aug 20 2026. Wilco with Yo La Tengo, Forest Hills Stadium, New York, June 20 2026. Andrew Bird 'Eggs' Orchestral Tour 2026. thebirdmachine.com
This is his full-time job, and it is close to your assignment: a drawing, its words, a few flat colors.
CORITA KENT
LOS ANGELES · 1960s
LOS ANGELES · 1960s
Cut, carved and printed
Screenprints where the words are the whole picture
Kent took slogans from ads and cut them into huge letters. TOMATO fills one print. The P and O of Power Up run off the edge. Her own handwriting runs small across the top. On screen: the juiciest tomato of all, 1964. power up (a), 1965. for eleanor, 1964. corita.org
Letters can be the picture. Two sizes of words, one huge and one small, is enough.
NATALYA BALNOVA
NEW YORK · WORKING NOW
NEW YORK · WORKING NOW
Cut, carved and printed
Sentimental Escapism: a two-color screenprint, hand lettering and horses drawn as one piece
Two colors, red and blue. The title is brushed in red between the blue horses, with the same loose line. On screen: Sentimental Escapism, 2024. Sentimental Escapism (detail), 2024. behance.net/gallery/204288739/Sentimental-Escapism
This is the closest match to your brief on screen: drawn words, a drawn picture, a few flat colors, printed by hand.
WALDEMAR ŚWIERZY
WARSAW · POLISH POSTER SCHOOL
WARSAW · POLISH POSTER SCHOOL
Cut, carved and printed
Painted portraits that fill the sheet, with a small set name
Świerzy painted musicians so big the face is the poster. Hendrix's hair is a tangle of blue line. Count Basie is built from dashes of color. The name is small type at the bottom. On screen: Jimi Hendrix, 1974. Count Basie (Jazz Greats series). poster.pl/posters/waldemar-swierzy
When the picture is this strong, the words can be quiet. Small set type still has to sit in a clear spot.
03 · Lettering as illustration
THE LETTERS STRETCH, BEND AND DECORATE UNTIL THEY ARE THE IMAGE.
WILL H. BRADLEY
CHICAGO · 1894
CHICAGO · 1894
Lettering as illustration
A title band that borrows the picture's colors
The Chap-Book title sits in its own band above the drawing, but its heavy black and red letters repeat the flat shapes of the hats and gowns below. On screen: The Chap-Book, "The Twins", 1894. commons.wikimedia.org
Words in their own band still belong if they share the picture's colors and weight.
ALFRED ROLLER
VIENNA · 1902
VIENNA · 1902
Lettering as illustration
Letters stretched until they turn into pattern
Roller drew the letters so tall and tight that they read as texture first and words second. Vienna exhibition posters did this on purpose. On screen: XIV. Ausstellung der Vereinigung Bildender Künstler Österreichs, Secession Wien (Klinger/Beethoven exhibition poster), 1902. commons.wikimedia.org
Drawn letters can bend rules a font cannot. Decide how hard your title is allowed to be to read, then stop before that.
KOLOMAN MOSER
VIENNA · 1900s
VIENNA · 1900s
Lettering as illustration
The figure and the letters drawn with one decorative line
Moser drew the letters with the same curves and ornament as the figure. On screen: Ver Sacrum V. Jahr, XIII. Ausstellung der Vereinigung Bildender Künstler Österreichs, Secession, 1902. commons.wikimedia.org
Look at one letter and one part of the figure side by side. Find the shared curve.
WES WILSON
SAN FRANCISCO · 1966
SAN FRANCISCO · 1966
Lettering as illustration
Concert posters where the letters swell to fill every gap
Every band name and date on this Fillmore poster is drawn by hand. The letters stretch like flames until they fill the whole shape. On screen: The Association, Quicksilver Messenger Service, Fillmore Auditorium (BG-18), 1966. wes-wilson.com
It is hard to read on purpose. People stopped to decode it. Decide how much of that your poster can afford.
VICTOR MOSCOSO
SAN FRANCISCO · 1967
SAN FRANCISCO · 1967
Lettering as illustration
Clashing colors that buzz, with letters used as pattern
On the Wildflower poster the band names are drawn inside orange flowers. On Otis Rush the letters run around the edge as a border. On screen: The Wildflower, Neon Rose #9, 1967. Otis Rush, Neon Rose #8, 1967. victormoscoso.com
Moscoso studied color at Yale, then broke the rules on purpose. Two colors of the same brightness make the edge buzz.
BRÁULIO AMADO
NEW YORK · WORKING NOW
NEW YORK · WORKING NOW
Lettering as illustration
Club and concert posters, lettered differently every time
Amado makes posters for music venues and record labels. He draws the names a new way for almost every one. On screen: The Carry Nation, Eli Escobar, Love at Public Records, March 14 2024. Sylvan Esso, Forest Hills Stadium, New York, September 29, 2023. badbadbadbad.com
Spend ten minutes on his site and count how many ways a title can be drawn.
MARY KATE McDEVITT
UNITED STATES · WORKING NOW
UNITED STATES · WORKING NOW
Lettering as illustration
Lettering that is the illustration
McDevitt draws words with their own ornaments and little pictures built in. She also wrote a popular hand-lettering workbook. On screen: State Fair Guide 2017. Mr. Galliano's Circus Story Collection by Enid Blyton (book cover). marykatemcdevitt.com
Her Hand-Lettering Ledger is a cheap, useful book if you want more practice than we do in class.
JESSICA HISCHE
OAKLAND · WORKING NOW
OAKLAND · WORKING NOW
Lettering as illustration
Draws letters on paper, then refines them on the computer
Hische starts every word as a pencil sketch and redraws it until it is clean. Her site shows the sketches beside the finals. On screen: ICON7 conference poster, 2012. Sleeves Up. Hearts Open. All In.. jessicahische.is
That is the path from paper to screen this project teaches, applied to letters.
Lettering as illustration · look these up
More to look up tonight.
Kate Morosslondon · working now
Started with hand-drawn concert fliers, now runs a studio. studiomoross.com
Mike Perrybrooklyn · working now
Loud drawn lettering. Edited Hand Job, a good library book on hand-drawn type. mikeperrystudio.com
NO IMAGES FOR THESE. EVERY LINK WORKS IN THE PDF ON THE CLASS PAGE.
04 · Picture first, type second
NO DRAWN LETTERS NEEDED. THE PICTURE CARRIES THE POSTER.
JULIUS KLINGER
VIENNA · 1922
VIENNA · 1922
Picture first, type second
A picture reduced to a sign, the words on a block beneath it
Klinger drew the fair as a flat, geometric tower in two colors and put every word on a black base under it. On screen: III Vienna International Fair, Autumn 1922. commons.wikimedia.org
Flat shapes and a clear word block are the easiest poster to capture and color.
LUCIAN BERNHARD
BERLIN · 1905
BERLIN · 1905
Picture first, type second
Two matches and one word. The object poster
Priester is two matches and the brand name, drawn in heavy letters on a dark ground. His wartime posters drop the picture and draw the words alone. On screen: Priester, 1905. Spare Seife! aber wie?. Hier zeichnet man die Kriegsanleihe. en.wikipedia.org/wiki/Lucian_Bernhard
Cut everything that is not the object and the name. Then see what is left.
LUDWIG HOHLWEIN
MUNICH · 1900s TO 1920s
MUNICH · 1900s TO 1920s
Picture first, type second
He placed the words like any other shape
Hohlwein gave the lettering its own block in the layout, in the same flat color as the picture. On screen: Summer in Germany, 1927. Zoologischer Garten Munchen. Richard Strauss-Woche, Munchen 1910. commons.wikimedia.org
Decide where the words go in your first thumbnail. They should never end up in whatever space is left over.
E. McKNIGHT KAUFFER
LONDON · 1918
LONDON · 1918
Picture first, type second
A flock of birds, a wide empty field, then the words
Kauffer packed a flock of angular birds into a band at the top, left the middle empty yellow, and set the headline at the bottom. On screen: Soaring to Success! Daily Herald - the Early Bird, 1918. commons.wikimedia.org
Empty space is a choice. It gives set type somewhere to breathe and makes the picture louder.
OLLY MOSS
UK · WORKING NOW
UK · WORKING NOW
Picture first, type second
A drawn picture with the words set in type
Moss draws the image and sets the words in a font: a badge of bold type over a drawn landscape, and a typeset title under an engraving-style drawing. On screen: Volunteer as a Lookout (Firewatch poster). Howl's Moving Castle screenprint. ollymoss.com
This is the set-type way done well. The type is one family, and it takes its colors from the drawing.
MILTON GLASER
NEW YORK · 1966
NEW YORK · 1966
Picture first, type second
The Bob Dylan poster: a black profile, colored hair, one small word
Dylan is a black profile with bands of color for hair. The one word sits small in the corner, in letters Glaser drew. On Zabriskie Point the title is drawn as solid blocks flying through the sky. On screen: Dylan, 1966. Zabriskie Point, 1970. miltonglaser.com
One small word can finish a big picture. Give it the picture's colors.
SEYMOUR CHWAST
NEW YORK · 1967
NEW YORK · 1967
Picture first, type second
Push Pin Studios posters, drawn pictures with old-style type
Chwast cut Uncle Sam as a rough woodcut, with bombers in his mouth. The words are one line of plain serif type underneath. On screen: End Bad Breath., 1967. seymourchwastarchive.com
A loud drawing and a calm line of type work together. The type does not need to shout too.
What they have in common
Four things all of those posters do.
Work in class
EVERY CLASS BEFORE THE CRITIQUE HAS A SHORT EXERCISE THAT BUILDS YOUR POSTER.
Project 2 · what we do in class
Each class makes a piece of your poster.
TodayThu, Sep 17
Poster sort, then words three ways: your subject as three small sketches.
Tue, Sep 22capture
Mark sheet, some scanned and some photographed. Then thumbnails: a sheet folded into eight frames, your subject one way at a time, then the ones you like refined on a fresh sheet.
Thu, Sep 24check-in 1 due
Thumbnails on the wall, one question each. Then the final drawing starts, 9 by 12 or bigger.
Tue, Sep 29drawing day
Exercise 4: three brushes made from your own marks. Then the rest of class is drawing time.
Thu, Oct 1check-in 2 due
Scan your finished drawing in class, to black ink on white. Exercise 5: color your scan on the computer.
Tue, Oct 6 · Thu, Oct 8color, then screenprint
Color for print: three colors plus the line, each on its own ink layer. Thursday: setting up for screenprint, and everyone presents the poster as it stands.
KEEP EVERY STUDY. THEY GO IN ONE PDF WITH YOUR FINAL, AND THEY ARE YOUR PROCESS GRADE.
Project 2 · the dates
Four dates to put in your calendar.
Thu, Sep 24check-in 1 · graded
Your subject, your thumbnail pages, and the refined sheet with your favorite marked.
Thu, Oct 1check-in 2 · graded
Your drawing on paper, finished. You scan it in class.
Thu, Oct 8last class before break
Screenprint setup, and the poster presented as it stands. Use Fall Break to finish.
Thu, Oct 15final due · critique
Your proof on the wall beside your original drawing. Project 3 is assigned.
THE FINISHED DRAWING IS DUE OCT 1. THE PROOF IS DUE THE FIRST CLASS AFTER FALL BREAK.
Project 2 · buy before Tuesday
Supplies to bring on Tuesday.
Good paperfor the final drawing
A pad of smooth bristol or mixed-media paper, 9 by 12 inches or bigger. 11 by 14 gives you more room.
Cheap paperplus tracing paper
For thumbnails and studies. Tracing over your last try is the fastest way to improve a drawing or a letter.
PencilsHB and 2B
Plus an eraser and a sharpener.
Black pensthree sizes
Fineliners in three sizes, like 01, 05 and 08. Also a brush pen or fat black marker for filling big areas.
Camera or scanneryour phone is fine
Plus the flash drive you already bring, a ruler and low-tack tape. A drawing tablet is optional.
THIS LIST IS ALSO ON THE PROJECTS PAGE, UNDER PROJECT 2.
Project 2 · due Oct 15
What you turn in, and how it is graded.
Working filePhotoshop or Illustrator
Drawing, color and words on their own layers, every layer named.
PDF and a proofthe proof is the final
A flattened PDF at 18 by 24. The proof is a printout of it to scale, at a size you can print yourself, like 6 by 8 on letter paper. It hangs at critique.
Separationsone PDF page per color
Each color in solid black on its own page, registration marks on every page, and a color key.
The originaland your studies
Bring the real drawing. Turn in your in-class studies and thumbnails as one PDF.
Gradingsame four things as Project 1
Concept: the poster says one thing about its film or book. Design: words and picture planned together, and it passes both tests. Craft: clean scan, tidy color, even letters or well-chosen type, and separations a printer could use. Process: the studies are done and show real range.
AI: FINE FOR RESEARCH AND IDEAS IF YOU SAY SO AND CITE IT. THE DRAWING AND THE FINISH ARE YOURS.
Today
PAPER AND A PENCIL. NO COMPUTERS FOR THIS PART.
Exercise · 10 minutes · in pairs
Poster sort: name how three posters handle their words.
Exercise · 30 minutes · on paper
Words three ways: your subject, three small sketches.
For Tuesday
Bring your supplies and your subject.
See you Tuesday.
SUPPLIES IN YOUR BAG. YOUR SUBJECT PICKED.